1. Freudian
issues- sex drive/death drive, psychoanalysis, duality of her soul- split
personality
2. Baudrillard-
seduction
3. Hallucinations-
researchers?
4. Darren
Aronofsky (director)- The Wrestler, Pi, The Fountain
4. Western
societies- gender binaries, feminism
5. German &
Russian backgrounds of ballet
6. The Red
Shoes, Rosemary’s Baby, Perfect Blues
7. Art deco
posters- background behind them
8. Time the
original play swan lake was set- what was going on, Tchaikovsky
9. Dark, gothic background of
ballets- sleeping beauty/ swan lake- translated in to the characters
I started exploring these different points by watching some films relating to the themes of Black Swan as well as researching & viewing other films directed by Darren Aronofsky looking at similarities in his work.
The Red Shoes (1948)
- Fairy tale- torn
between two sides, good & evil
- Performers need
& want perfection
- In the ballet-
the red shoes are evil- they do not tire & therefore in the end she dies
just like at the end of Swan Lake
- Special effects-
shadows etc. used to reflect the dancer’s mental turmoil, imagination- visual
metaphors used
- Red= danger
- She dies because
of her obsession & love to perform – consumes her
Darren Aronofsky- director
- Looks at the
fragility of humankinds existence in the world, our mortality
- Isolation through
career
- Pain- brought on
by themselves
- Visions,
hallucinations, mental issues, conflictions of reality
The Wrestler
- He is a wrestler-
old in his field of work- a performer & it is his life
- Struggles through
his passion- injures himself for his occupation
- Does everything
to look the part eg. drugs
- The use of a
stage just like the theatre stage in Black Swan
- Pain=
good/positivity, warped perception again the same as most performers
- Threatened career
by health scare- unhealthy career, short occupations due to injury
- Isolation- camera
position through his point of view, when performing he is being looked up at- admired
- Confrontation
with reality & his future
- Walking out to
shop job is liking walking out on stage- he lives to perform
- In the end he
knows by performing he will die, die for his art.
The Fountain
- SciFi/fantasy
- Addresses
humankinds struggle with mortality
- Three parallel
lives spanning thousands of years
- Visions- what is
reality?
- Lives entwined- fighting
to find a solution, to save the life of Izzi, Tom’s love.
- Visual
similarities through the different worlds- camera movements, bright light-
portals
- Main character-
again is a performer is his own field- a doctor trying to save a ‘patient’,
trying to do what he does best & in doing so destroying relationships etc.
- In the past he
finds the tree but is unworthy, reincarnates into present where his quest is to
discover eternal life, Izzi dies and he plants a seed & she turns into a
tree, in the future Tom and the tree approach a dying star, the tree begins to
die but finally Tom accepts death, the star explodes creating the universe-
starting this endless cycle again.
When we had our seminar with Caroline I discussed my different ideas for my essay and I made a series of notes while we discussed my theme:
- Dead but happy as they achieved their goal- perfection, in
death they find freedom
- How Aronofsky mixes reality & not- signalled visually
- Requiem for a Dream- destruction through trying to achieve
their goals
- Pick specific scenes to analyse certain points- screen grabs
- Look at film reviews- theoretical, broadsheet reviews
- How the performance mirrors the psychological side in the
theatre- take Red shoes as a reference
- Rationalism
- Find hypothesis (‘I think this’ & argue it out) or
question & debate it
- Put synopsis of film in appendix
- Could just look at her relationship with mother through
Freudian analysis
- Opens herself up to her unconscious, basic structure of the
mind, oppression of instinctual minds, a shifting- very dangerous, if you tap
into them, open up to eg. sex drive/death drive- you are vulnerable
- 60s/70s- repression was seen as dangerous- her rival Lilly, aware
of these aspects
- Revisiting these views of Freud in a contemporary structure/form
We then came up with a couple of more focussed ideas for me to choose from:
- Psychological space & the real- visually represented
- Aronofsky’s look at performers & pushing to breaking
point
- Freudian analysis of the film & characters
I then went home and watched the film again, while doing so I noted down different scenes in which the different ideas are present which could be starting points for my analysis of the film in my essay:
Black Swan scenes
-
7.08 Breaking in her ballet shoes- metaphor for
the whole film
-
20.00 Talk with Thomas
-
23.50 Home after being chosen- scratch &
mother throwing away cake
-
34.30 After the drinks party with Thomas at his
home
-
36.00 After going to Thomas’- with her mother
-
37.55 Masturbating- interrupted by mother
-
40.00 Talk with Thomas about Beth
-
43.00 Finds wood to jam door shut & mother
crying over paintings
-
45.30 Rehearsal & dance with Thomas
-
14.50/47.50/49.40 Doppelganger scenes
-
54.00 Argument with mother & disobedients
-
1.04.00 Nina & Lily sex dream
(doppelganger)- use of mirror to split personality
-
1.13.40/1.16.00/1.17.20 Doppeganger scratching in fitting room/spinning/with Thomas
-
1.22.00 After argument with mother- mittens,
locked in bedroom
-
1.25.00/1.29.00 Hallucinations &
transformations (doppelgangers)
Key:
Possible
introduction into film analysis
Scenes
with Thomas- sexualisation & liberation, freedom
Scenes
with mother- oppression & repression
Scenes
with doppelgangers, scratching, hallucinations, transformations
These are all scenes that sparked my interest and that I particularly liked; I found that I was attracted to scenes where the main character Nina was communicating with other characters; showing her different relationships throughout the film including her mother, theatre director Thomas & her hallucinated doppelganger. All of these different relationships highlight the different sides to her personality and the development of these as we progress through the film.
I have taken out a couple of books on Freud's theories of oppression & repression as well as 'The Uncanny' which talks about doppelgangers which I plan to read & start using the knowledge to analyse the films meanings. This will hopefully help me to narrow down my field of focus to just a couple of scenes and possibly just one relationship within the film.
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